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I envision this timing likely established during the Palladium age however I haven't verified that. Eddie Torres began teaching and promoting this timing beginning in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dance instructor, that aided him establish his method and timing.

The story I'm continually told below, that still needs further investigation, is that as salsa started reaching brand-new audiences outside of the Caribbean and New York City, it was simpler and a lot more user-friendly to teach cultural outsiders to dance On1 instead of On2. This tale doesn't account for the fact that I have actually listened to Rueda de Casino was initially danced a tiempo On3 in Cuba.

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Salsa On1 is just among various salsa timings you can dance to and it is the most typical timing you'll find on the planet today. Salsa On1 timing meaning: "On1" indicates you begin dancing on the very first beat of bench of songs the 1. Your break steps (direction adjustments) are on beats 1 and 5.

The exemptions I've discovered thus far, where On2 is most typical, would be around New York and in South Korea (Salsa San Francisco). I make certain there are various other locations that dance mainly On2 yet I haven't danced in every nation yet! If you're not sure what timing is most typical where you live, ask your local dancing workshop

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When a person claims "I dance salsa On1" they probably imply "I dance straight style salsa On1" (although you can dance any style of salsa On1, people usually suggest linear style). Do not worry if you've stated these things previously, it's all great all of us have! The vital thing is to keep in mind there's a difference between style and timing and deepen your understanding so you can be a lot more precise when chatting concerning salsa with your friends.

It connects nicely with the wording in the songs, especially the piano, and various other percussion tools like the cow bell and giro. Timing and design are two different points, so different the concepts when you speak about salsa with your good friends. Despite what timing is most typical in your region of the world, remember you can technically dance any kind of design of salsa to any type of timing explore and delight in! Want more? Have a look at this deep dive on the difference between dancing salsa On1 vs On2 when dancing a tiempo.

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There is an original mambo dance that came from Cuba and after that spread out to Mexico and New York in the 40s and 50s, these days when someone says "I dance mambo" they indicate salsa On2, which is different than the original mambo dance. The erratic free-from actions of the initial mambo were danced solo.

And that's what we refer to as mambo or salsa on2 today. As the dancing started to spread out, On1 timing began to become preferred. Salsa On2 definition: "On2" means you start dancing on the very first beat of the bar of music the 2. Your break steps (direction modifications) are on beats 2 and 6.

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A great deal of professional dancers enjoy dancing On2 for the diverse ways you can link to the songs. Son cubano is the music and dance that preceded mambo and salsa.

It attaches well to the clave, bass and conga - Bachata San Francisco. Cha-cha is similar to dancing On2 contratiempo but you add the triple action on 4 and 8. Danced to the same beats as On1, your break steps are now on 2 and 6, which alters the feel of the dance.

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It links well with the conga and cowbell. https://penzu.com/p/7279a12dfcb33c26. This timing is nearly identical to contratiempo On2 yet the actions that are usually on 4 and 8 are on 4. 5 and 8. 5 rather half a beat later, which associate the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.

5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home placement (on 4. 5 as opposed to 4) you're dancing syncopated timing. In truth it seems it's frequently danced as sort of a "mistake" for anyone dancing the previous two timings.

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As discussed previously, this was the initial analysis of dancing on clave (kid clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to straighten as many actions of your fundamental as possible with the strikes of the kid clave.

The important things about music and dancing is that there is no right or incorrect. There is just analysis. You can dance on any type of timing you like! Normally, people have located a method to dance on practically every timing feasible to kid and salsa music. Individuals dance On3 for the same reason you dance On1 due to the fact that it highlights the strong beats of 1-3-5-7.

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Allow's take a look at the beats you dance On1 to: -2-, -6- (solid beats remain in bold) Let's consider the beats you dance On3 to: -4-, -8- (solid beats are in bold) Notice exactly how the solid beats are spaced specifically the same for On1 and On3? All you do is begin tipping On3 rather than On1.

That's why dancing On3 is so common in Latin America. People either Try to dance On1 however begin tipping On3 by crash and it functions out just fine, or They don't know much regarding timing and are just translating what they listen to in the songs, based upon their experience growing up in a society with salsa.

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